it is of course always nice to get a good review from various sites and magazines. But hearing back from a fan who actually buys the albums is frickin’ awesome! So thank you Jorge Luiz Rodrigues for support and the time to write this (translated via Google, original post is in Portuguese):
Track of the week
Hello friends! Good night and a great week.
“Simplicity is the ultimate achievement. After having touched a number of notes and notes, it is the simplicity that emerges as the crowned reward of art.” Fréderic Chopin
Fred Mika – Withdrawal Symptoms – For almost three months I’ve been with this album and I can not hear it, and I have not found words to describe the emotion that each one of their songs conveys. Being the first solo work of the Goian drummer Fred Mika (Sunroad), his professionalism is remarkable here, as well as his commitment to present a polished and captivating work where classic hard rock, sometimes with a few AORs as in Wired In (remembers a lot the softest phase of Whitesnake), here with the vocals in charge of Carl Dixon (Coney Hatch, April Wine, Guess Who). Just for this beginning I already feel that my hard earned dollars were not spent in vain. Then we see a range of guest vocalists from the most diverse countries, including Brazilians Rod Marenna, Daniel Vargas, Tito Falashi, Mario Pastore and André Adonis. Describing each song becomes unnecessary, since the 10 songs (taking the short introduction) bring all that eighties feeling, that is, songs that convey emotion, euphoria and even that pleasant nostalgic feeling. Each song is unique, engaging and striking showing a solid work of seductive sound beauty to those who enjoy good music. He could not close with Miss Misery (Nazareth) with the vocals of bandmate André Adonis.
Forest Field – Angels – Peter Cox’s request not to take this album too seriously, should be regarded as a moment of good humor, as well as the cover of the album. The opening track, Broken Wings, totally instrumental, even with a modern footprint reminds us of good progressive rock. Angels, the second track, is that infectious hard rock with AOR pitches, great guitar solos, accurate drumming, which takes us to the good times of Journey, Peter Frampton, Kansas, Asia, Europe and other sacred 80s monsters. Left At Cloud Nine is yet another beautiful short instrumental that will take us to It Looks Like Rain, a softer song with a captivating keyboard in the background, and again the well-placed and seductive guitars become an invitation to an ecstatic journey. Needless to describe each song here, since all 11 songs are fascinating charm, showing that Peter was in ambitious moments of inspiration. An infectious album from beginning to end indicated not only those who like a softer rock, but to all who seek good music. It is important to emphasize the love of Peter for the style, since besides musician, he owns the record company Rock Company, that even comes launching some Brazilian bands in Europe, like Fred Mika, Still Living and Marenna. Thank you for the good songs and for the support of the Brazilian musicians, Peter.