Rockportaal review Age Of Aquarius

rockportaalDutch site Rockportaal has written a rather nice review of the Age Of Aquarius album. Here the English translation:

Rock Company is a Dutch record label that was founded in 1987 and has the primary goal of promoting music in every way possible. The label does this by, among other things, releasing music, writing about music and broadcasting music via the internet. Thereby one focuses on progressive rock and related genres.

One of the bands – or even better duo – on this label is Age Of Aquarius. They consist of the Dutchman Peter Cox, who plays all the instruments on this album and the British singer Zoe Ehinger, responsible for all lyrics. Multi-instrumentalist and singer Peter Cox is a name unknown to me in the music business. Nevertheless, the man has been making his mark on the genre for quite some time, as evidenced by his involvement with the groups Chinawhite, Forest Field and Earthshine.

Dawn Of The Age Of Aquarius is about big changes and the destruction of the old, which will eventually create the new. Uranus, God of heaven and heavens, is the ruler of Aquarius. Destruction and change are the most important parts of this sign, which then brings new thinking, creativity and brings people back to life. Reasonably spicy food that you have to be open to.

Musically the album is a lot easier to digest. The ten generally melancholic songs, three of which are instrumental, listen pleasantly and simply. The song structures are generally simple, with the strong guitar playing of Peter Cox having the upper hand. I do not always appreciate the vocals of Zoe Ehinger. In my opinion, her vocals come into its own in more dark-colored songs such as The Water Bearer, Uranian Utopia and the beautiful Mercury Rising. Sometimes she tends to bite off more than she can chew. This is at the expense of purity, such as the more up-tempo Darling Jupiter. The album has a strong final chord with Saturnian Chaos. In addition to the three instrumental numbers, I think the best song. The guitar playing is firmer and more pointed, the rhythm is tighter and the vocals of Zoe Ehinger, who reminds of Grace Jones, are simply very strong.

Thank you Hans!


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