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Another Fan Review

fred mika and forest field fan review

it is of course always nice to get a good review from various sites and magazines. But hearing back from a fan who actually buys the albums is frickin’ awesome! So thank you Jorge Luiz Rodrigues for support and the time to write this (translated via Google, original post is in Portuguese):
Track of the week
Hello friends! Good night and a great week.
“Simplicity is the ultimate achievement. After having touched a number of notes and notes, it is the simplicity that emerges as the crowned reward of art.” Fréderic Chopin
 
Fred Mika – Withdrawal Symptoms – For almost three months I’ve been with this album and I can not hear it, and I have not found words to describe the emotion that each one of their songs conveys. Being the first solo work of the Goian drummer Fred Mika (Sunroad), his professionalism is remarkable here, as well as his commitment to present a polished and captivating work where classic hard rock, sometimes with a few AORs as in Wired In (remembers a lot the softest phase of Whitesnake), here with the vocals in charge of Carl Dixon (Coney Hatch, April Wine, Guess Who). Just for this beginning I already feel that my hard earned dollars were not spent in vain. Then we see a range of guest vocalists from the most diverse countries, including Brazilians Rod Marenna, Daniel Vargas, Tito Falashi, Mario Pastore and André Adonis. Describing each song becomes unnecessary, since the 10 songs (taking the short introduction) bring all that eighties feeling, that is, songs that convey emotion, euphoria and even that pleasant nostalgic feeling. Each song is unique, engaging and striking showing a solid work of seductive sound beauty to those who enjoy good music. He could not close with Miss Misery (Nazareth) with the vocals of bandmate André Adonis.
 
Forest Field – Angels – Peter Cox’s request not to take this album too seriously, should be regarded as a moment of good humor, as well as the cover of the album. The opening track, Broken Wings, totally instrumental, even with a modern footprint reminds us of good progressive rock. Angels, the second track, is that infectious hard rock with AOR pitches, great guitar solos, accurate drumming, which takes us to the good times of Journey, Peter Frampton, Kansas, Asia, Europe and other sacred 80s monsters. Left At Cloud Nine is yet another beautiful short instrumental that will take us to It Looks Like Rain, a softer song with a captivating keyboard in the background, and again the well-placed and seductive guitars become an invitation to an ecstatic journey. Needless to describe each song here, since all 11 songs are fascinating charm, showing that Peter was in ambitious moments of inspiration. An infectious album from beginning to end indicated not only those who like a softer rock, but to all who seek good music. It is important to emphasize the love of Peter for the style, since besides musician, he owns the record company Rock Company, that even comes launching some Brazilian bands in Europe, like Fred Mika, Still Living and Marenna. Thank you for the good songs and for the support of the Brazilian musicians, Peter.
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Rock Top 30 chart June

2017 06 Top 30 Rock Chart Seems our artists still fare well in the One World Music Radio Rock Top30!

  • Cranston with Phil Vincent and Paul Sabu refuse to give in and even rise 2 places and now finds itself at #19,
  • Age Of Aquarius landed on #14,
  • Forest Field rises back into the top 10 and holds the #7 position and last but not least,
  • Sunrise Auranaut rise an astonishing 16 positions and find themselves at number 3!

Now who said that rock and prog are dead?
Thanks to all the listeners and presenters!
Of course you can find all these releases at our website www.rockcompany.nl and also online or at your favourite shop!

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New Rock Company podcast

As you may have noticed, here at Rock Company we like to keep busy. So slowly but surely the number of titles available from us is rising! All independent artists, who need your support. Hugs and kudos for everyone who buys an album (often limited editions) or download! But if you are wondering what the label is about, here a sure fire way to introduce a lot of recent releases to you, this podcast. Have fun and never mind the ramblings of Dr. Schultz 🙂

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Track Of The Year Awards

2017 rock track awardThe wonderful people of One World Music Radio have added another category to their 2016 Awards and it is Track Of The Year. And we are very excited and proud to find several of our artist receiving a nomination in the Rock category:

  • Cranston – Queen Of The Pain
  • Forest Field – Valley Of Pain
  • Sixtynine – Good Trade.

And also our distribution artist Holly Montgomery is nominated with the title track of her album Leaving Eden.

If you want to vote, please go to this page to learn how. We wish all the nominees succes!

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April Rock Chart success

2017 04 Top 30 Rock Chart.It has happened. It was bound to. Yes, believe it or not, but after 5 amazing months on top of the list, Forest Field had to give up on the #1 spot and landed on position 4. Congratulations to the excellent The Soul Exchange and their great album Bloodbound for taking over!
And for the third month in a row, we find the Dawn Of The Age Of Aquarius album from Age Of Aquarius on #3! That in a way is rather unique too.

Another surprise is Cranston finding their way UP again, #14 this month. And nice to see another project from singer Phil Vincent, D’Ercole, land the #18 spot.

Last but not least for us are Sixtynine taking the number 24 with their rocking You Are Me album.

Congrats to the artists and thank you to the presenters and listeners of One World Music Radio!

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Another great Forest Field review

let it rock

Dmitry from Let It Rock on DMME has written another great review for our latest album! You can find it on their website or read it below. Thank you Dmitry!

FOREST FIELD – Lonely Desert

Rock Company 2016

FOREST FIELD - Lonely Desert

FOREST FIELD –
Lonely Desert

Spicy, if not spaced out, interpretation of the Muad’Dib story. Epic choruses abound.

Over the years, there’s been a few attempts to harness the essence of Frank Herbert’s “Dune” but only Klaus Schulze had taken it to an LP scale while eschewing songs’ format, an approach which multi-instrumentalist Peter Cox turned around for his fourth album loosely based on the classic book. With former LEGION singer Phil Vincent giving voice to most of the pieces here and clinging to Arrakis’ literary surface in “Fear” to create a triumphant finale, “Lonely Desert” is a many-layered work which reveals previously unnoticed textures with every new spin without losing its infectiousness.

One doesn’t need to be familiar with the context, though, to feel its melodic grip once “Valley Of Pain” has set things in motion with a heavy guitar hook, before vocals bring airiness into the arid riff-and-strum whose AOR magnetism is inescapable. There also sublime harmonies to make the refrains of “Into The Light” and “Asleep” as memorable as possible, yet dry production and deliberate toning down of the performances add to the thematic and cinematic dramatism that’s dictated by the original sci-fi saga.

Whereas voiceless vignettes such as “To Bits” introduce folk sensibility to the narrative, they also provide atmospheric contrast to the tension oozing out from the organ-bolstered “Alienation” to let this cosmos breathe. It may be lonely out there, but there’s music for a company.

***4/5

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More Rock Chart success!

2017 03 rock chartFor an incredible fifth month in a row, Forest Field’s Lonely Desert album is topping the One World Music Rock Chart top 30. Rumour has it that is a record. But truth or not, it is an amazing achievement. And besides that, Age Of Aquarius secured position 3 for the second time in a row after entering there the previous month. Sixtynine and Cranston are also still in the list, at 7 and 25 respectively.

So it is safe to say that it has been another successful month of airplay at the station. Thanks to all involved!

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Nominations OMWR Awards!

We feel blessed with our artists receiving a number of nominations for the 2016 One World Music awards. In random order:

  • Earthshine – White Cliff Country nominated in the People’s Choice awards. If you want to vote, go to this link to do so. Thanks!
  • Cranston – Cranston, nominated for Rock album of the year
  • Forest Field – Lonely Desert, also nominated for Rock album of the year
  • Sixtynine – You Are Me, another contender for Rock album of the year
  • and last but not least, our Distribution artist Holly Montgomery – Leaving Eden is another nominee in the Rock album category.

Needless to say we are very happy for our artists for this achievement. We wish the voting judges success with this hard task, what a list!

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Ruling the Rock chart

omwr rockchart 2017-02We might be a bit late to the party as the new edition of this rock chart will air later today, but still, a TOP 3 of Rock Company Artists is still worth mentioning…

  • At position 20 we find the rocking CranstoN album, a former #1
  • at #3 we find the new entry of the Age Of Aquarius album, wow
  • at #2 we find the You Are Me album by Sixtynine, who refuse to lay down and just went back up in the top 3
  • and at the top we find Forest Field’s Lonely Desert album for a stunning fourth time in a row!

Thank you so much to all the OMWR presenters and of course those fabulous listeners!

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Mindblowing Forest Field review

progarchy

The famous Progarchy site have published an absolute mindblowing review of the latest Forest Field album Lonely Desert. Reviewer Jay Watson commented on all the tracks and the artwork and gave many songs a 9 or a 10. Here are some edits of his words:

  • I wish I had heard of this musical endeavor earlier on as they are quite good and I really like this album. It is a bit of a concept album based loosely on Frank Herbert‘s DUNE, but the listener need not know that classic to enjoy the listening experience.
  • Before some track by track comments it needs be said that this not your “classical” prog of the early founding 70’s nor even the second wave iteration. There is more classic rock afoot here than Yes, Genesis, or Spock’s Beard.  Forest Field is more of Thin Lizzy meets Judas Priest with Boston stirred in…infused with very tasty mellotron and synth additives. But that is not a bad thing as the music is too good to let restrictive descriptors keep ones ears shut.
  • Track 4: Alienation (stranger in me) (5:08)  Synths, keys, guitar, drums & base…. Foot starts tapping immediately. Best song so far.  I  love the melody. This would make a great single in my prog universe!   Great guitar solo.  10/10
  • Track 5: To Bits (3:01)  Another beautifully arranged and mixed instro opening with guitar and bass playing off the synth…then the drums are added at the minute plus mark.  This is more of a mood piece.  9/10
  • Track 6: Asleep (5:24)  Asleep is anything but, as it starts off rocking…a great rhythmic opening…very nice rock tune with great vocals and nice poppy riffs (but in a good way)…This would be another Top 40 hit in my prog imagination.  I enjoy the accessible sing-along chorus. Also, maybe my favorite track.  More great guitar.  10/10
  • After 9 tracks I was thoroughly enjoying this disc but still hoping for some “wibbly-wobbly” prog caricature sounds to cement it in my own, maybe too narrow view of the genre. The closing song does that!
    Track 10: Fear (15:10)  The guitar chords strummed slowly and majestically invoke a romantic past (neo-classical) with a very beautiful melody. At 2:18 the hard electric guitar, bass, keys, and drums bust in with a forceful driving sound, and again the vocals are big, Journey like almost.  There’s a real 80’s feel, almost arena rock (not that that’s always a bad thing). The sing-along nature of this tune (along with most of the other songs) brings to mind Eddie Money, early Styx, Bon Jovi, and most rock with melody. At the 6:50 the guitar gets harder and darker and some nice interplay with the several sounds as well as the vocals put a prog patina on this middle section.  The lyrics of being the “freemen” has a prog-foundational-theme firmly ingrained. The dark plodding of the beat contrasted by the light and hopeful sounding lyrics makes this song an anthem of resistance…the “keepers of the spice” will fight.  Any 15-minute song has to be prog, I guess.  A winning last track 9.5, or maybe 10/10.

Needless to say these are only some of the highlights in the comments. We are still floored. Thank you very much Jay and to read his full article go here.