The reviews keep coming in! And most of them we are very happy to share with you:
Brian from The Midlands Rocks wrote about Chinawhite and Fred Mika here. Lots of positives, so thank you Brian for you kind words.
DMME / Let It Rock also published very kind reviews on Chinawhite and Fred Mika. Dmitry has a great way with words, you should definitely check these! Thanks again Dmitry.
Next up is Italian site Giornale Metal! They honoured Marenna with 8/10, and Sunrise Auranaut and Fred Mika with a 7/10. The site is obviously in Italian, but Google can translate automatically for you. Thank you Bob, Silvio and Angelica.
To move on we have Dutch site Rock Portaal. Lots of good things about Souls of Deaf. Thank you Filip.
The same applies to LiveReviewer.com. Also lots of praise for the Souls Of Deaf album. Thank you Winston.
French site Metal Integral gave Chinawhite a 4.5/5 stars! Thank you Noctus.
To conclude this gathering, I present a beautiful one published in French magazine Highlands #92, about the Inserter album by Sunrise Auranaut:
For his first title, The Flight Continues, SUNRISE AURANAUT remains in his comfort zone by using what he knows best: a rhythmic Progressive feeling good 70s, with keyboards also retro futuristic. We always hear the programmed battery, limit drum machine, which can annoy by its sound.
In The Old House is more imaginative: varied and articulate on an intriguing Glockenspiel, it establishes a well marked atmosphere in just four minutes.
The rhythm is both more present and better used, serving keyboards from the Moog from the 70s to the 80s. Vitaly KISELEV skilfully slides guitar parts for a more energetic and relevant overall rendering. Keeper Of The Castle Forest push INSERTER in this way, in equal quality.
Based on a very nice guitar part freely inspired by Steve HACKETT, this title is part of a very good balance between guitar-keyboards-drums.
SUNRISE AURANAUT knows his classics and he never hesitates to refer to them, for the good cause. Identification Man (Psychedelic Inserter) could be his sequel: the Hammond organ always holds a place of choice, for a very progressive piece, in the spirit of In The Old House.
Rhythm breaks and other tempo changes are part of the journey and thanks to the contribution of MALAKHOV, KISELEV can refine the programming and the guitar playing, forming a solid and always interesting. The pair works perfectly, which allows him to offer the short but beautiful Fog. This time, we hear the contribution and influences of the Classic claimed by SUNRISE AURANAUT. With his guitar evoking the harpsichord, the keyboard can play its sweet and ethereal part that makes us enjoy a different and pleasant music.
Auspicious before the trilogy The Saga Of The Discovers.
The first two are grouped on the same title and this choice is judicious: it allows us to focus on his six beautiful minutes; SUNRISE AURANAUT is more ambitious than ever and this is reflected in his arrangements: the rhythm section seems more and more natural, serving at best this powerful Progressive rock, in the wake of a romanticism at GENESIS and Steve HACKETT.
The duo makes us take advantage of their great range of sounds, by packing this piece which finds its climax in an excellent third final part.
Taking advantage of the change of track to rest with a soothing introduction, this Saga resumes its cruising pace by finishing as well as it started.
A flawless for this suite that marks his imprint album. The World Of Light keeps in itself the aesthetics of its predecessors, without taking all its strength: the piece is good but with less strength of conviction. The strange One Strange Morning will bring another atmosphere, between Dany ELFMAN and that of a haunted mansion.
Despite an electronic drum too present, we revel in this title lighter, tinged with irony, in a state of mind finally very Russian. Hello, Star Man is very honorably closing the set: even if it does not reach the height of the saga, it returns without complex to a progressive progressive pleasant, without surprise but effective.
By diversifying with the contribution of a musician for this fifth album, Vitaly KISELEV was able to reinvent itself in his style, making INSERTER an excellent record if this is the best of SUNRISE AURANAUT.
In addition to the programmed battery that can displease, the whole is very homogeneous, creative, always located in the Progressive referenced period 70 but not without brilliance and panache. He even surprised us, like The Saga Of The Discoverers, brilliant.
Lovers of instrumental rock, listen to this endearing album. (*** ¾)